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Journal : Jurnal Pena Indonesia

HEGEMONI TOKOH NYAI SUKU DALAM NASKAH DRAMA GENERASI TERAKHIR KARYA GEPENG NUGROHO Fibiani, Mufadila; Qur'ani, Hidayah Budi
Jurnal Pena Indonesia Vol 6, No 1 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jpi.v6n1.p71-86

Abstract

This study aims to prove that leaders are not always able to interfere with the personal rights of their members through the hegemony of Nyai Suku in the last generation drama by Gepeng Nugroho. To answer these problems, the Gramshi Hegemony theory is used through a sociological approach. This type of research is qualitative with descriptive form. The data source of this research is the Final Generation drama by Gepeng Nugroho. Data collection techniques are carried out by central study and note it. Data analysis was done by hermeneutic method. The results of this research show that the form of hegemony of Nyai Suku character is in the form of planting new beliefs covertly through the speeches he delivered, habituation through his teachings to communal to answer compactly with sentences that show as if they were strong people, and coercion by giving lashing to its communal members violate the rules. 
KRITIK SOSIAL DALAM NASKAH DRAMA KAMPONG KARDUS KARYA GEPENG NUGROHO Ariani, Mega Fransiska; Qur?ani, Hidayah Budi
Jurnal Pena Indonesia Vol 4, No 2 (2018)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jpi.v4n2.p115-135

Abstract

This study aims to reveal the social criticism found in the drama kampung kardus by Gepeng Nugroho. To answer these problems, use the theory of Alan Swingewood with a sociological approach to literature. This research is a type of qualitative research with a descriptive form. Data collection techniques are done by reading the entire drama script. Data analysis was carried out by reading the entire drama script, identifying data, classifying data, analyzing it in descriptive form by using interpreters of researchers, concluding findings, writing reports on research results. The results showed that Gepeng Nugroho presented stories about social criticism in 1) aspects of poverty, 2) aspects of education, and 3) aspects of crime. In the aspect of poverty researchers find a form of poverty in the form of work, the majority of jobs as scavengers are poverty because scavengers are jobs that cannot meet the daily needs of hindup. In the educational aspect the researcher found a form of laziness in trying to improve life, in this aspect the population underestimated the importance of education. In the crime aspect, researchers discovered forms of crime committed by village leaders who took advantage of scavengers through projects to be carried out.
HEGEMONI TOKOH NYAI SUKU DALAM NASKAH DRAMA GENERASI TERAKHIR KARYA GEPENG NUGROHO Fibiani, Mufadila; Qur'ani, Hidayah Budi
Jurnal Pena Indonesia Vol 6, No 1 (2020)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jpi.v6n1.p71-86

Abstract

This study aims to prove that leaders are not always able to interfere with the personal rights of their members through the hegemony of Nyai Suku in the last generation drama by Gepeng Nugroho. To answer these problems, the Gramshi Hegemony theory is used through a sociological approach. This type of research is qualitative with descriptive form. The data source of this research is the Final Generation drama by Gepeng Nugroho. Data collection techniques are carried out by central study and note it. Data analysis was done by hermeneutic method. The results of this research show that the form of hegemony of Nyai Suku character is in the form of planting new beliefs covertly through the speeches he delivered, habituation through his teachings to communal to answer compactly with sentences that show as if they were strong people, and coercion by giving lashing to its communal members violate the rules. 
KRITIK SOSIAL DALAM NASKAH DRAMA KAMPONG KARDUS KARYA GEPENG NUGROHO Ariani, Mega Fransiska; Qur’ani, Hidayah Budi
Jurnal Pena Indonesia Vol 4, No 2 (2018)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jpi.v4n2.p115-135

Abstract

This study aims to reveal the social criticism found in the drama kampung kardus by Gepeng Nugroho. To answer these problems, use the theory of Alan Swingewood with a sociological approach to literature. This research is a type of qualitative research with a descriptive form. Data collection techniques are done by reading the entire drama script. Data analysis was carried out by reading the entire drama script, identifying data, classifying data, analyzing it in descriptive form by using interpreters of researchers, concluding findings, writing reports on research results. The results showed that Gepeng Nugroho presented stories about social criticism in 1) aspects of poverty, 2) aspects of education, and 3) aspects of crime. In the aspect of poverty researchers find a form of poverty in the form of work, the majority of jobs as scavengers are poverty because scavengers are jobs that cannot meet the daily needs of hindup. In the educational aspect the researcher found a form of laziness in trying to improve life, in this aspect the population underestimated the importance of education. In the crime aspect, researchers discovered forms of crime committed by village leaders who took advantage of scavengers through projects to be carried out.